Laker Turf Stadium kick-off ceremony
Prior to the men's soccer game, SUNY Oswego President Deborah F. Stanley will officially open the facility together with Vice President for Student Affairs Jerald Woolfolk, Director of Athletics Sue Viscomi and esteemed alumnus and member of the 1966 SUNYAC men's soccer championship squad Dan Scaia, a 1968 Oswego graduate. The first 200 students in attendance will receive a free "Laker Turf Stadium Kickoff" T-shirt and a free soft pretzel. Free. 312-3056.
Location: Laker Turf Stadium
Tuesday, Sept 1, 3:30 p.m. - 4 p.m.
Concert: Bach cello suites by Matt Haimovitz
Renowned Israeli-born soloist Matt Haimovitz performs all six Bach cello suites, while visiting four Central New York locations. (The “moveable feast” begins with a Tuesday live-at-noon broadcast from the studios of WCNY FM (91.3), followed by a 3 p.m. appearance at the River’s End Bookstore. The musical tour resumes at 5 p.m. Wednesday at Tyler Gallery in Penfield Library.) The remaining suites at 7:30 p.m. Sheldon Hall: $15 ($5 for SUNY Oswego students), including parking in lots adjacent to and across Washington Boulevard from Sheldon Hall. http://www.oswego.edu/arts. 312-2141.
Location: Ballroom, Sheldon Hall
Wednesday, Sept 16, 7:30 p.m. - 9:30 p.m.
Women's Soccer vs. St. Lawrence
Location: Oswego, NY- Laker Soccer Field
Tuesday, Sept 1, 4 p.m. - 6 p.m.
Men's Soccer vs. St. Lawrence
Location: Oswego, NY, Laker Turf Stadium
Tuesday, Sept 1, 4 p.m. - 6 p.m.
2015 New Jersey Event
Find out more and register: http://bit.ly/1T3Y0iT
Location: Ridgewood Country Club 96 W. Midland Ave., Paramus, N.J.
Thursday, Sept 17, 6 p.m. - 9 p.m.
GOLD Third Thursdays
Visit http://www.facebook.com/events/453070221388940 for the latest locations or suggest your own!
Location: Various Cities
Thursday, Sept 17, 6 p.m. - 8 p.m.
All Theatre majors, upon completion of degree requirements should be able to:
- write a substantive critique/ review that describes and evaluates a live theatre performance
- write a plot summary of a play
- write a critical essay using outside sources and research
- understand and use the specific language of theatre practice in writing including technical and design vocabulary, and/or terminology of intentions and objectives
- write a resume
- write an effective cover and follow up letter
In addition, depending on the area of concentration, a student should be able to:
For design/tech concentrates
- write a project proposal
- write project/process descriptions and instructions
- write a design statement that articulates the point of view, summary of research, and creative approach to a theatrical collaboration
For acting/directing or tech/design concentrates with emphasis on stage managing
- write rehearsal reports
For acting/directing concentrates with emphasis on directing
- write a directing statement that articulates the point of view, summary of research and creative approach to a theatrical collaboration
For acting/directing concentrates with emphasis on acting
- write specific character analysis using language of intentions and objectives
Since many of the Theatre courses are centered on performance and experiential work, the department emphasizes journal writing (as an important step in writing to articulate experience, reaction and observation) and response/critique papers as well as more traditional essays using outside sources and research. Students will have the opportunity to reflect upon their writing and revise as part of the process.
Writing experiences that provide students with target skills and knowledge include writing critical reviews of live performances, self-evaluation and journal writing, summarizing and reporting original research, writing rehearsal reports, technical writing (including design notation, and project descriptions and instructions), summarizing and evaluating historical research, creative and critical essay writing, writing cover letters and composing resumes.
Specific contexts and resources that contribute to the successful writing experience will include reading samples of performance criticism and reviews, design and directorial statements, articles, essays and papers which incorporate outside information including primary and secondary sources. Stylebooks and specific instructions for writing assignments will also be used where appropriate.
In order to assure student progress in developing writing skills in the discipline, students take five courses (in addition to ENG 102 or Waiver) that have a substantial writing element.
1: An introductory writing course in the area of the major:
THT 110: INTRODUCTION TO THE THEATRE is a course which introduces writing critical response papers based on the experience of a live theatre event. Two papers are required. Journal writing is also included. Through the use of Teaching Assistants, small group discussion/reading sessions are held. The opportunity to write a summary response paper, if student engages in actual production work for credit, is included. Writing accounts for 25% of grading.
2. An intermediate level writing course in which writing to learn in the area of specialization is emphasized. Selected from courses within the major. These courses are generally small sized classes (15-20) which offer a great deal of student/teacher interaction. They are generally performance or experiential classes which emphasize the development of skills by doing. However, in the context of journal writing (which involves self-evaluation, observation and description of performances seen as well as writing to articulate the technical language of performance and the stage) writing is integrated into the course experience. These courses will also include one or more of the following: critical review papers, project proposal papers, self-evaluation essays, writing that incorporates outside research, and summary reports. The writing experience accounts for approximately 25% of the course grade. Courses may be chosen from:
THT 120: STAGE CRAFT
THT 121: STAGE ELECTRONICS AND MECHANICS
THT 130: THE ACTOR’S SELF
THT 180: VOICE AND DICTION
THE 181: BODILY MOVEMENT FOR THE THEATRE
THT 222: INTRODUCTION TO THEATRE DESIGN
THT 310: BASIC STAGE LIGHTING
THT 322: BASIC SCENE DESIGN
THT 333: STAGE MANAGEMENT
THT 324: THE BUSINESS OF SHOW BUSINESS
THT 341: PRINCIPLES OF DIRECTING
THT 351: COSTUME DESIGN
THT 440: ADVANCED DIRECTING
INT 111: ORAL INTERPRETATION OF LITERATURE
INT 120: STORYTELLING
3. An advanced level (seminar) writing course. This course offers an intensive writing experience in the area of the major through several writing assignments, including critical and creative essay writing using outside sources and research, critical response papers and journal writing. The small group instruction format allows for extensive instructor feedback to student writing. At least one assignment will involve rewriting. The evaluation of writing assignments is a major component of grading. Courses include:
THT 251: COSTUME HISTORY
THT 364: WESTERN THEATRE
THT 365: THEATRE OF INDIA, CHINA AND JAPAN
THT 308: WOMEN AND THE THEATRE
THT 471: ELIZABETHAN THEATRE
THT 472: THE THEATRE OF TRAGEDY
THT 473: THE THEATRE OF COMEDY
4. Two writing courses (300 level or above) selected (under advisement) from courses in Art, Music, English or History departments. Courses include, but are not limited to ENG 319, ENG 340, ENG 342, ENG 350, ENG 366, ART 353, HIS 312, HIS 314, HIS 315, HIS 317, HIS 328, MUS 315, MUS 316, MUS 317, MUS 329, MUS 307.